Here's the latest. For this one I used lots of my own painted papers along with the scraps, napkins, tissue papers and other miscellany I've collected. My most ambitious to date and the largest (12" x 12").
One of the things I love so much about this technique is that I can create rich textures by layering elements with varying degrees of transparency. It reminds me of old stucco walls with years and years of paint layers showing through as the building ages over time. I am so drawn to the layers of history and experience that these walls hold and I feel a deep sense of soul. These encaustic layers also create a sense of depth and soul for me; images and small pieces of stories revealing themselves beneath the layers that overlap them. Or overlapping the images beneath but never fully covering them. The sensual elements of melting the wax to fuse each layer to the one beneath it and the slight fragrance of the melted beeswax complete the experience for me.
One of the things I love so much about this technique is that I can create rich textures by layering elements with varying degrees of transparency. It reminds me of old stucco walls with years and years of paint layers showing through as the building ages over time. I am so drawn to the layers of history and experience that these walls hold and I feel a deep sense of soul. These encaustic layers also create a sense of depth and soul for me; images and small pieces of stories revealing themselves beneath the layers that overlap them. Or overlapping the images beneath but never fully covering them. The sensual elements of melting the wax to fuse each layer to the one beneath it and the slight fragrance of the melted beeswax complete the experience for me.